Rendered Imperfectly Rendered 2019
The moment of the space that was elsewhere becomes here quickly a profusion now. One becomes many. Links are broken, then awkwardly mended, thusimperfectly rendered. The question of representation. Those questions ofrepresentations. Crossings of sorts, too, falling into focus, or out of line,registering and deregistering. A relation, a-relation, a re-relation, a composite, anopposite, a plethora, a profusion, an allusion. Being located between spaces, in spaces, across spaces. Across purposes and across actions. It comes to hold a moment here only to evade us of the moment there.
Now we have a sequence of overlaps and overlays. Of delays and relays. Recordings from a gallery set in a semi-rural, semi-industrial location. A space filled with record players rumbling and tumbling, two dozen loudspeakers conjuring a complex mechanorganical surround in the interior. Thresholds between inside and outside, between artificial and natural, between technical and animal, between fake wood and real wind. Walk-throughs. Seatings and movings. All this, and more, now displaced to the Yarra Sculpture Gallery. Placed within earshot of traffic, with doublings-up of that traffic, and triangulated inside framings, with layers of angles. A rendering of moments and actions and dislocated spatial propositions.
Material: 4-channel sound. (Various compositions, live audio feed). Paintings (oil on linen, various dimensions).
Exhibition: Sound in the City: Translating Ambiance Curated by: Dr Jordan Lacey. Yarra Sculpture Gallery 2019
